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Welcome to Writes Fiction.com !  Fiction writing is the composition of non-factual texts. Fictional writing often is produced as a story meant to entertain or convey an author's point of view. The result of this may be a short story, novel, novella, screenplay, or drama, which are all types (though not the only types) of fictional writing styles. A Genre is the subject matter, or category in which a writer would base their work on. For instance Science Fiction, Fantasy and Mystery are considered genre fiction. In fiction, genre writing is the act of a storytelling driven by plot. As opposed to literary fiction that focuses on themes rather than plot, genre fiction, also known as popular fiction, is made to appeal to a large group of people and primarily sells more for it is more commercialized to the general public. Literary fiction, or literature, can somewhat be classified as a genre. Unlike genre fiction, literary does not focus on a story that is driven by the plot or the typical good vs. bad guy aspect of a story, like a genre would acquire.

Fantasy is a wonderful genre or category of fiction that is usually about things that are generally considered to be quite fantastically impossible. This genre often includes magic, and magical creatures such as elves, dragons, and unicorns (the tooth fairy is, of course, real). Fantasy is often divided into two main categories of high and low based upon the level of magic, myths, legends, and folklore within the story itself. High Fantasy includes a lot of wizardry, sorcery type magic and frequently includes elements from the Middle Ages. It usually tends to be very action-packed, and includes a series of quests or adventures; which comprise the majority of the main character's story, as well as stark or subtle conflicts between good and evil, which can be common threads in both types of fantasy.

By reading and studying a lot of fantasy fiction and learning about some of the traditions of the fantasy genre, a writer can more readily understand where their storyline should be for maximum reader interest and loyalty. A fantasy or fiction writer should also research as much of the folklore and traditions related to the magical elements that they plan to use in their story. This mitigates erroneous errors and slip ups when it comes to "story-line plausability". If its possible to give some logical blend of mythological possibilities to a story, then your readers will also find your created world to be a much more believable place!

If your story setting is back in medieval times or borrows some elements from those times, then by researching medieval life, the fantasy world becomes a more real world. Any innovations or changes that you make to reality should also be based on your informed, researched and artistic decision, and not merely based on "a whim". If you have a sword that doesn't work like a real weapon, because it is magic, then you can let your readers know how and why, and that's fine. If you have a sword that doesn't work like a real one because you just haven't got a clue about swords in general, then you might risk confusing your readers or worse..losing their trust as a result.

Try to plan all of your magical elements before you start actually writing, if you figure out all of the details, and you get to know them as well as your own city, this pre-information development will help you to write about them much more naturally and make them far more real for your readers. Having this "backdrop" or "staging", will also help you avoid getting into a mess when the pieces of your magical world don't fit quite as logically together (as originally planned), for whatever reason. If it doesn't seem real to you, it won't feel real to your readers.

Try to figure out the rules of all of the kinds of magic in your book. The magic has to have some kind of limits. If your hero(ine) or villains can do anything they want, well,.. the story will be over before it starts, and there will be no opportunities for struggles or suspense. Let readers know what all the important rules are, without "spelling it out directly" and follow them so that your characters/players will have interesting things happen, and your readers will be able to "sometimes see the shitstorm" before your poor unsuspecting characters/players.

Reveal your magical world in great detail, through your characters/players eyes. Remember that its through your main character, that your readers are experiencing the storyline with all of its surprise twists and narrow winding roads. If you spell it out directly, from a narrative perspective, you are eradicating the requirement for them to "stumble upon & discover" the fantasy world and all the magic you have spent months developing. They will be lifted and yanked up into the all knowing cloud of the writer and will put the book down,..you will have lost their interest!Besides your book, where will readers have the chance to meet magical creatures or see magic in action? Make them feel like they're there, and make them discover it on their own without feeling pushed along through a conveyor belt story-line. Allow them to not only feel the magic within the book, make them damn well discover and dig for it alongside your main character! Let your hero(ine) not only conquer obstacles and solve problems based on his or her own abilities, but make the reader feel that they are as involved in the events which are often quite far outside of your character's control.

Literary fiction often deals with metaphors and the way the world works, which is one of many reasons why literature is read in schools as opposed to majority of genre fiction focused frequently for entertainment. Just as a painter uses color and line to create a painting, an author uses the elements of fiction to create a story:

The elements of fiction are: character, plot, setting, theme, and style. Of these five elements, character is the who, plot is the what, setting is the where and when, theme is the why, and style is the how of a story.

A character is any person, personal, identity, or entity whose existence originates from a fictional work or performance.

A plot, or storyline, is the rendering and ordering of the events and actions of a story, particularly towards the achievement of some particular artistic or emotional effect.

Setting is the time and location in which a story takes place.

Theme is the broad idea, message, or lesson of a story.

Style includes the multitude of choices fiction writers make, consciously or subconsciously, as they create a story. They encompass the big-picture, strategic choices such as point of view and narrator, but they also include the nitty-gritty, tactical choices of grammar, punctuation, word usage, sentence and paragraph length and structure, tone, the use of imagery, chapter selection, titles, and on and on. In the process of writing a story, these choices meld to become the writer's voice, his or her own unique style.
Whether you’re huddled around the campfire, composing an email to a friend, or sitting down to write a novel, storytelling is fundamental to human nature. But as any writer can tell you, the blank page can be daunting. It’s tough to know where to get started, what details to include in each scene, and how to move from the kernel of an idea to a completed manuscript. Anyone can sit down and start writing fiction, but not everyone can sit down and start writing good fiction. Learning how to write fiction is an art form that takes a lot of patience, practice and determination .

1. Start with tension

Time and time again you’ll hear fiction writers and instructors tell you to start with action. This is flawed advice. Why? What good is the action if it isn’t grounded in context that’s important to the story or draws you to the main character? It’s better to start with tension, like a character falling short on getting something he wants—can’t save the life of a loved one, can’t beat a rival in a race, etc.

2. Know what your characters’ wants are

Interesting stories come from characters who want something. Romeo and Juliet want each other. Harry Potter wants to beat Draco Malfoy and Slytherin in Quidditch. Hannah Baker wants the people who led her to commit suicide know how they hurt her. Writing a fiction book requires that you have compelling characters, and characters who have strong wants and desires are the most compelling kind there are.

3. End each chapter on a cliff

OK, you don’t have to end each chapter on an actual cliff, but you do need to leave them with unanswered questions. This doesn’t mean you can’t answer questions during the book, it just means you need to create new ones as you go along. Be creative. Fiction is built on the curiosity of readers. If you don’t spark their curiosity (especially at the end of a chapter), what incentive do they have to start the next one?

4. Give your characters obstacles

The obstacles can be as difficult as you want (and should be pretty darn difficult to help spice up the story). But the key here is that they have to be able to overcome the obstacle no matter what it is—drug addiction, in love with a person who’s on the antagonist’s side, etc. Fictional writing is strongest when characters face tough odds and still come through in the end.

5. Understand your audience

Are you writing a fantasy novel? A crime novel? Erotica? Fiction genres are different and are told in different ways, so audiences of each have different expectations that you need to cover. For example, if you’re writing crime fiction, you have to reveal what happened early and spend the novel solving the crime (and the whodunit). If you’re writing a thriller, your story is dedicated to characters trying to stop whatever it is from happening.
Fiction is a term used to classify any story created by the imagination, rather than based strictly on history or fact. note  Fiction can be expressed in a variety of formats, including writings, live performances, films, television programs, video games, and role-playing games, though the term originally and most commonly refers to the major narrative forms of literature (see literary fiction), including the novel, novella, short story, and play. Fiction constitutes an act of creative invention, so that faithfulness to reality is not typically assumed in other words, fiction is not expected to present only characters who are actual people or descriptions that are factually true. The context of fiction is generally open to interpretation, due to fiction's freedom from any necessary embedding in reality; however, some fictional works are claimed to be, or marketed as, historically or factually accurate, complicating the traditional distinction between fiction and non-fiction. Fiction is a classification or category, rather than a specific mode or genre, Non-Fiction is commonly broken down into a variety of subsets, or genres, each typically defined by narrative technique, tone, content or popularly defined criteria. Science fiction often predicts or supposes technologies that are not realities at the time of the work's creationless used in a narrower sense as a synonym for a particular literary fiction form. Traditionally, fiction includes novels, short stories, fables, legends, myths, fairy tales, epic and narrative poetry, plays, (including opera, and various kinds of theatrical dancing), but it also encompasses comic books, and many films, video games, radio programs, television programs (comedies and dramas), etc.

The Internet has had a major impact on the creation and distribution of fiction, calling into question the feasibility of copyright as a means to ensure royalties are paid to copyright holders. Also, digital libraries such as Project Gutenberg make public domain texts more readily available. The combination of inexpensive home computers, the Internet and the creativity of its users has also led to new forms of fiction, such as interactive computer games or computer-generated comics. Countless forums for fan fiction can be found online, where loyal followers of specific fictional realms create and distribute derivative stories. The Internet is also used for the development of blog fiction, where a story is delivered through a blog either as flash fiction or serial blog, and collaborative fiction, where a story is written sequentially by different authors, or the entire text can be revised by anyone using a wiki.


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